151 bars of 4/4 at a walking 84 BPM, 7:14 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 3-5, 7 and 27-28, and 4 more places -- 10.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 20 times: bars 1, 13, 20, 25, 32, 41 and 14 more.
6 more fills are written out on the fills page.
151 bars across 16 sections: 84 keep time, 20 are fills, 3 are stops and 25 are silent. The longest unbroken stretch of time is bars 90-99.
84 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
73 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 56 out of 100; the rest of the number is everything around it.
151 bars, about 7:14 at the written tempo. The course breaks it into 55 exercises over 17 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 20 times: bars 1, 13, 20, 25, 32, 41 and 14 more.