133 bars at 164 BPM -- fast, and 3:14 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 10, 12 and 14, and 18 more places -- 17.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 19 times: bars 13, 25, 45, 49, 53, 59 and 13 more.
5 more fills are written out on the fills page.
133 bars across 15 sections: 67 keep time, 19 are fills, 18 are stops and 11 are silent. The longest unbroken stretch of time is bars 27-37.
164 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 25 out of 100; the rest of the number is everything around it.
133 bars, about 3:14 at the written tempo. The course breaks it into 36 exercises over 10 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 19 times: bars 13, 25, 45, 49, 53, 59 and 13 more.