113 bars of 4/4 at a walking 93 BPM, 4:48 of playing, on crash, ride, hi-hat, snare, floor tom and kick.
The beat the song is built on is one bar, played through bars 46-48, 50-55 and 64-67, and 6 more places -- 29.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 14 times: bars 21, 42, 43, 44, 49, 63 and 8 more.
1 more fill is written out on the fills page.
113 bars across 7 sections: 81 keep time, 14 are fills, 3 are stops and 9 are silent. The longest unbroken stretch of time is bars 22-34.
93 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
113 bars, about 4:48 at the written tempo. The course breaks it into 24 exercises over 8 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 14 times: bars 21, 42, 43, 44, 49, 63 and 8 more.