133 bars, 7:55, at 67 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 15-20, 23-27 and 47-52, and 1 more place -- 17.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 35 times: bars 5, 13, 21, 29, 32, 33 and 29 more.
5 more fills are written out on the fills page.
133 bars across 11 sections: 61 keep time, 35 are fills, 25 are stops and 4 are silent. The longest unbroken stretch of time is bars 22-28.
67 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
133 bars, about 7:55 at the written tempo. The course breaks it into 41 exercises over 11 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 35 times: bars 5, 13, 21, 29, 32, 33 and 29 more.