80 bars of 4/4 at a walking 91 BPM, 3:31 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 14, 16 and 18, and 12 more places -- 28.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
8 fills to learn, played 17 times: bars 13, 15, 17, 33, 35, 37 and 11 more.
4 more fills are written out on the fills page.
80 bars across 12 sections: 47 keep time, 17 are fills, 1 is a stop and 14 are silent. The longest unbroken stretch of time is bars 24-31.
91 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
42 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 26 out of 100; the rest of the number is everything around it.
80 bars, about 3:31 at the written tempo. The course breaks it into 23 exercises over 7 sittings, about 24 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 17 times: bars 13, 15, 17, 33, 35, 37 and 11 more.