138 bars of 4/4 at a walking 83 BPM, 6:38 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 44-56 -- 10% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 8 times: bars 41, 74, 75, 76, 77, 78 and 2 more.
1 more fill is written out on the fills page.
138 bars across 11 sections: 100 keep time, 8 are fills, 8 are stops and 8 are silent. The longest unbroken stretch of time is bars 115-133.
83 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
138 bars, about 6:38 at the written tempo. The course breaks it into 43 exercises over 14 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 8 times: bars 41, 74, 75, 76, 77, 78 and 2 more.