124 bars of 4/4 at 130 BPM, about 3:49 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 11, 13 and 15, and 8 more places -- 19% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 21 times: bars 4, 6, 8, 10, 14, 18 and 15 more.
6 more fills are written out on the fills page.
124 bars across 15 sections: 60 keep time, 21 are fills, 26 are stops and 3 are silent. The longest unbroken stretch of time is bars 89-96.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
124 bars, about 3:49 at the written tempo. The course breaks it into 47 exercises over 12 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 21 times: bars 4, 6, 8, 10, 14, 18 and 15 more.