136 bars of 4/4 at 120 BPM, about 4:34 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 5-7, 10 and 12, and 14 more places -- 21.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 18 times: bars 2, 3, 4, 16, 20, 22 and 12 more.
4 more fills are written out on the fills page.
136 bars across 17 sections: 96 keep time, 18 are fills, 2 are stops and 3 are silent. The longest unbroken stretch of time is bars 82-103.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
89 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 70 out of 100; the rest of the number is everything around it.
136 bars, about 4:34 at the written tempo. The course breaks it into 50 exercises over 18 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 18 times: bars 2, 3, 4, 16, 20, 22 and 12 more.