326 bars of 4/4 at 140 BPM, about 9:22 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 26, 28 and 31-33, and 4 more places -- 10.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
20 fills to learn, played 50 times: bars 24, 40, 71, 79, 95, 103 and 44 more.
16 more fills are written out on the fills page.
326 bars across 26 sections: 203 keep time, 50 are fills, 21 are stops and 21 are silent. The longest unbroken stretch of time is bars 1-23.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 68 out of 100; the rest of the number is everything around it.
326 bars, about 9:22 at the written tempo. The course breaks it into 97 exercises over 29 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
20 fills to learn, played 50 times: bars 24, 40, 71, 79, 95, 103 and 44 more.