149 bars at 200 BPM -- fast, and 2:58 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 2-8, 14 and 16, and 2 more places -- 16.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 23 times: bars 11, 13, 17, 27, 29, 31 and 17 more.
10 more fills are written out on the fills page.
149 bars across 16 sections: 103 keep time, 23 are fills, 3 are stops and 6 are silent. The longest unbroken stretch of time is bars 55-68.
200 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 45 out of 100; the rest of the number is everything around it.
149 bars, about 2:58 at the written tempo. The course breaks it into 54 exercises over 14 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 23 times: bars 11, 13, 17, 27, 29, 31 and 17 more.