124 bars of 4/4 at 143 BPM, about 3:28 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 2-8, 18-20 and 22-24, and 3 more places -- 22.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 18 times: bars 9, 21, 33, 37, 41, 45 and 12 more.
6 more fills are written out on the fills page.
124 bars across 11 sections: 80 keep time, 18 are fills, 3 are stops and 10 are silent. The longest unbroken stretch of time is bars 94-105.
143 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 19 out of 100; the rest of the number is everything around it.
124 bars, about 3:28 at the written tempo. The course breaks it into 36 exercises over 10 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 18 times: bars 9, 21, 33, 37, 41, 45 and 12 more.