160 bars of 4/4 at 150 BPM, about 3:52 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 128-129, 132-133 and 144-145, and 3 more places -- 8.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 19 times: bars 1, 13, 42, 46, 48, 56 and 13 more.
9 more fills are written out on the fills page.
160 bars across 16 sections: 106 keep time, 19 are fills, 6 are stops and 12 are silent. The longest unbroken stretch of time is bars 144-160.
150 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
78 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 62 out of 100; the rest of the number is everything around it.
160 bars, about 3:52 at the written tempo. The course breaks it into 55 exercises over 20 sittings, about 24 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 19 times: bars 1, 13, 42, 46, 48, 56 and 13 more.