109 bars, 6:38, at 64 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 14-20, 26-28 and 48-54 -- 15.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 29 times: bars 6, 7, 8, 9, 10, 11 and 23 more.
8 more fills are written out on the fills page.
109 bars across 16 sections: 59 keep time, 29 are fills and 1 is a stop. The longest unbroken stretch of time is bars 15-20.
64 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
75 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 52 out of 100; the rest of the number is everything around it.
109 bars, about 6:38 at the written tempo. The course breaks it into 43 exercises over 14 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 29 times: bars 6, 7, 8, 9, 10, 11 and 23 more.