154 bars at 180 BPM -- fast, and 3:25 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 66, 68 and 70, and 29 more places -- 20.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 31 times: bars 21, 31, 49, 63, 64, 65 and 25 more.
7 more fills are written out on the fills page.
154 bars across 17 sections: 88 keep time, 31 are fills, 11 are stops and 1 is silent. The longest unbroken stretch of time is bars 1-10.
180 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 18 out of 100; the rest of the number is everything around it.
154 bars, about 3:25 at the written tempo. The course breaks it into 55 exercises over 15 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 31 times: bars 21, 31, 49, 63, 64, 65 and 25 more.