172 bars at 180 BPM -- fast, and 3:49 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 41, 45 and 47, and 20 more places -- 16.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 30 times: bars 12, 16, 20, 24, 42, 43 and 24 more.
7 more fills are written out on the fills page.
172 bars across 14 sections: 86 keep time, 30 are fills, 32 are stops and 11 are silent. The longest unbroken stretch of time is bars 81-91.
180 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 21 out of 100; the rest of the number is everything around it.
172 bars, about 3:49 at the written tempo. The course breaks it into 50 exercises over 14 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 30 times: bars 12, 16, 20, 24, 42, 43 and 24 more.