101 bars at 160 BPM -- fast, and 2:32 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 34-40, 70-76 and 78-84 -- 21.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 12 times: bars 1, 9, 17, 21, 33, 41 and 6 more.
3 more fills are written out on the fills page.
101 bars across 12 sections: 55 keep time, 12 are fills, 25 are stops and 5 are silent. The longest unbroken stretch of time is bars 2-8.
160 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 54 out of 100; the rest of the number is everything around it.
101 bars, about 2:32 at the written tempo. The course breaks it into 31 exercises over 8 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 12 times: bars 1, 9, 17, 21, 33, 41 and 6 more.