206 bars of 4/4 at 150 BPM, about 5:30 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 54-60, 77 and 82-88, and 6 more places -- 25.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 13 times: bars 40, 61, 69, 81, 89, 100 and 7 more.
1 more fill is written out on the fills page.
206 bars across 18 sections: 100 keep time, 13 are fills, 50 are stops and 24 are silent. The longest unbroken stretch of time is bars 197-206.
150 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 20 out of 100; the rest of the number is everything around it.
206 bars, about 5:30 at the written tempo. The course breaks it into 52 exercises over 17 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 13 times: bars 40, 61, 69, 81, 89, 100 and 7 more.