130 bars of 4/4 at 115 BPM, about 4:31 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 1-23 and 33-39 -- 26.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
8 fills to learn, played 16 times: bars 24, 32, 40, 48, 64, 72 and 10 more.
4 more fills are written out on the fills page.
130 bars across 8 sections: 86 keep time, 16 are fills, 3 are stops and 15 are silent. The longest unbroken stretch of time is bars 1-23.
115 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 0 out of 100; the rest of the number is everything around it.
130 bars, about 4:31 at the written tempo. The course breaks it into 35 exercises over 11 sittings, about 24 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 16 times: bars 24, 32, 40, 48, 64, 72 and 10 more.