235 bars of 3/4 -- not four -- at 125 BPM, 6:26 of playing on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 39-45, 48-51 and 53-54, and 1 more place -- 9.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
24 fills to learn, played 33 times: bars 20, 38, 47, 55, 64, 78 and 27 more.
20 more fills are written out on the fills page.
235 bars across 24 sections: 87 keep time, 33 are fills, 39 are stops and 53 are silent. The longest unbroken stretch of time is bars 134-145.
125 BPM, in 3/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 52 out of 100; the rest of the number is everything around it.
235 bars, about 6:26 at the written tempo. The course breaks it into 92 exercises over 28 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
24 fills to learn, played 33 times: bars 20, 38, 47, 55, 64, 78 and 27 more.