117 bars of 4/4 at 128 BPM, about 3:40 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 21, 23 and 25, and 8 more places -- 11.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
18 fills to learn, played 51 times: bars 8, 10, 11, 12, 14, 15 and 45 more.
14 more fills are written out on the fills page.
117 bars across 11 sections: 42 keep time, 52 are fills, 9 are stops and 1 is silent. The longest unbroken stretch of time is bars 35-41.
128 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
81 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 70 out of 100; the rest of the number is everything around it.
117 bars, about 3:40 at the written tempo. The course breaks it into 53 exercises over 17 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 51 times: bars 8, 10, 11, 12, 14, 15 and 45 more.