334 bars at 180 BPM -- fast, and 7:08 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 31, 33 and 35, and 19 more places -- 14.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
31 fills to learn, played 47 times: bars 8, 16, 24, 26, 28, 30 and 41 more.
27 more fills are written out on the fills page.
334 bars across 37 sections: 225 keep time, 47 are fills, 18 are stops and 16 are silent. The longest unbroken stretch of time is bars 32-46.
180 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
334 bars, about 7:08 at the written tempo. The course breaks it into 98 exercises over 27 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
31 fills to learn, played 47 times: bars 8, 16, 24, 26, 28, 30 and 41 more.