158 bars at 165 BPM -- fast, and 3:50 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 9, 11 and 13, and 25 more places -- 19.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
25 fills to learn, played 44 times: bars 12, 16, 20, 22, 24, 31 and 38 more.
21 more fills are written out on the fills page.
158 bars across 18 sections: 75 keep time, 44 are fills, 8 are stops and 17 are silent. The longest unbroken stretch of time is bars 124-129.
165 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 28 out of 100; the rest of the number is everything around it.
158 bars, about 3:50 at the written tempo. The course breaks it into 56 exercises over 14 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
25 fills to learn, played 44 times: bars 12, 16, 20, 22, 24, 31 and 38 more.