88 bars of 4/4 at a walking 96 BPM, 3:41 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 40, 54-57 and 59-60 -- 10.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 5 times: bars 24, 26, 29, 51 and 61.
1 more fill is written out on the fills page.
88 bars across 11 sections: 31 keep time, 5 are fills, 22 are stops and 23 are silent. The longest unbroken stretch of time is bars 55-60.
96 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 59 out of 100; the rest of the number is everything around it.
88 bars, about 3:41 at the written tempo. The course breaks it into 23 exercises over 5 sittings, about 30 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 5 times: bars 24, 26, 29, 51 and 61.