120 bars of 4/4 at a walking 94 BPM, 5:06 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 17, 19 and 21, and 14 more places -- 16.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 10 times: bars 16, 32, 40, 56, 64, 116 and 4 more.
120 bars across 12 sections: 86 keep time, 10 are fills and 15 are silent. The longest unbroken stretch of time is bars 72-92.
94 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
66 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 66 out of 100; the rest of the number is everything around it.
120 bars, about 5:06 at the written tempo. The course breaks it into 37 exercises over 11 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 10 times: bars 16, 32, 40, 56, 64, 116 and 4 more.