154 bars of 6/4 -- not four -- at 89 BPM, 8:55 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 19, 21 and 23, and 8 more places -- 19.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 27 times: bars 8, 16, 26, 34, 42, 44 and 21 more.
10 more fills are written out on the fills page.
154 bars across 14 sections: 72 keep time, 28 are fills, 6 are stops and 34 are silent. The longest unbroken stretch of time is bars 1-7.
89 BPM, in 6/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
154 bars, about 8:55 at the written tempo. The course breaks it into 53 exercises over 17 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 27 times: bars 8, 16, 26, 34, 42, 44 and 21 more.