140 bars at 220 BPM -- fast, and 2:45 of it without a break -- on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 1-7, 13-19 and 21-27, and 4 more places -- 24.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 24 times: bars 8, 20, 28, 44, 52, 68 and 18 more.
7 more fills are written out on the fills page.
140 bars across 8 sections: 82 keep time, 24 are fills, 12 are stops and 14 are silent. The longest unbroken stretch of time is bars 29-43.
220 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 63 out of 100; the rest of the number is everything around it.
140 bars, about 2:45 at the written tempo. The course breaks it into 33 exercises over 10 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 24 times: bars 8, 20, 28, 44, 52, 68 and 18 more.